Bill could make cool smoulder – what is there left to say about him? His music speaks for him. He did more with less – his brilliance was always deep and un-superficial, and you already had to be turned a little inward in order to ‘get’ him. He had incredible style – careful, thoughtful , refined, measured and spell-binding are the words that come to mind when I think of Bill. He could handle anything from a Pavane of Fauré to the serial tonality of a Schoenberg scale.
If any further proof of Bill’s brilliance is needed here it is.
I don’t know anyone else who could have coaxed this much melodic coherence out of potential atonality.
Some great sites for information about the late great Bill Evans:
http://new-jazz.blogspot.com/2010/05/bill-evans-biography.html
http://www.shockmd.com/2011/04/17/bill-evans-a-face-without-a-name/
http://www.jazzwax.com/2008/01/bill-evans-conv.html
http://dougpayne.blogspot.com/2011/01/bill-evans-his-piano-and-orchestra-play.html
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